Circulaire 2

Dear Friends & Colleagues,

Please find below some updated bibliographies and information about conferences and calls for papers. Don’t forget to look at EPCAF Central as we are constantly adding new resources.

All our best for the end of term & the holidays.

Sincerely,

Catherine Dossin & Victoria H.F. Scott


BIBLIOGRAPHIES IN PROGRESS

Thank you for your suggestions and comments, here are the updated bibliographies for Belgium, France, Germany, and Italy. When you have a chance, please look them over and tell us what you think. These bibliographies are intended to serve as general references on the visual arts of that period in different countries. As a result, they do not feature books on specific artists. This is something we can work on in the future. For the time being, instead, we would like to start bibliographies for other countries, like England, Spain, or Poland for example. So if you have bibliographies or just a few titles at hand, please send them along.

Postwar & Contemporary art in Belgium

Decker, Anny De, and Bernd Lohaus. Wide White Space: achter het museum = derrière le musée, 1966-1976. Düsseldorf: Richter Verlag, 1994.

Eemans, Marc. L’art vivant en Belgique. Bruxelles: Meddens, 1972.

Elias, Willem, ed. Aspects of Belgian art after 1945, Part I. Ghent: Uitgeverij Snoeck Editions, 2005.

Geirlandt, Karel J., ed. L’art en Belgique depuis 45. Antwerpen: Fonds Mercator, 1983.

Geirlandt, Karel J., ed. Un demi-siècle d’expositions au Palais des Beaux-Arts. Bruxelles: La socièté des expositions au Palais des Beaux-Arts, 1981.

Heman, Suzanna, Jurrie Poot, and Hripsime Visser, eds. Conceptual art in the Netherlands and Belgium, 1965-1975 – Artists, Collectors, Galleries, Exhibitions, Events. Amsterdam: Stedelijk Museum/NAi Publishers, 2002.

Langui, Emile. Expressionism in Belgium. Translated by Alistair Kennedy. Brussels: Laconti, 1971.

Mertens, Phil. La Jeune Peinture Belge, 1945-1948. Bruxelles: Laconti, 1975.

Pagé, Suzanne, ed. L’art en Belgique: Flandre et Wallonie au XXe siècle, un point de vue. Paris Musée d’Art Moderne de la Ville de Paris, 1991.

Palmer, Michael. D’Alechinsky à Panamarenko: Art belge, 1940-2000 Bruxelles: Editions Racine, 2002.

Pas, Johan. The Middelheim collection. Amsterdam Ludion, 2010.

Theys, Hans, ed. Mo(u)vements: kunstenaarsbewegingen in België van 1880 tot 2000 = Mouvements d’artistes en Belgique de 1880 à 2000 Antwerpen: Koninklijk Museum voor Schone Kunsten; NICC, 2000.

Postwar & Contemporary Art in France

Adamson, Natalie. Painting, Politics and the Struggle for the École de Paris, 1944-1964.    London: Ashgate, 2009.

Ameline, Jean-Paul, and Benedicte Ajac, eds. Figuration Narrative, Paris 1960-1972. Paris: RMN & Centre Georges Pompidou, 2008.

Carrein, Catherine, Catherine Morlet, and Bernard Ceysson. L’Ecole de Paris? 1945-1964. Paris: Musée national d’histoire et d’art du Luxembourg/Adagp, 1998.

Carrick, Jill. Nouveau Réalisme, 1960s France, and the Neo-avantgarde: Topographies of Chance and Return. London: Ashgate, 2010.

Chalumeau, Jean-Luc. La Nouvelle Figuration: Une histoire de 1953 à nos jours. Paris: Editions Cercle d’Art, 2003.

Chevalier, Louis. The Assassination of Paris. London: University of Chicago Press, 1994.

DeRoo, Rebecca. The museum establishment and contemporary art: the politics of artistic display in France after 1968. London: Cambridge University Press, 2006.

Dorléac, Laurence Bertrand, ed. Art of the Defeat, France 1940-1944. Los Angeles: The Getty Research Institute, 2008.

Grinfeder, Marie-Helene. Les années Supports-Surfaces 1965-1990. Paris: Hersher, 1991.

Hulten, Pontus, ed. Paris-Paris, 1937-1957 – Création en France. Paris: Centre Georges Pompidou, 1981.

L’Envolée Lyrique, Paris 1945-1956. Paris: Musée du Luxemburg, Skira, 2006.

McDonough, Tom, ed. Guy Debord and the Situationist International: Texts and Documents. Cambridge, Mass. : MIT Press, 2002.

Morris, Frances, ed. Paris Postwar: Art and Existentialism. London: Tate Gallery, 1993.

Moulin, Raymonde. Le Marche de la peinture en France. Paris: Editions de Minuit, 1967.

Perrier, Daniele, Peter Ludwig, and Bernard Larmarche-Vadel. Atelier de France: Art de France depuis 1950. Koblenz: Ludwig Museum in Deutschheerenhaus, 1992.

Ragon, Michel. Cinquante ans d’art vivant – Chronique vécue de la peinture et de la sculpture, 1950-2000. Paris: Fayard, 2001.

Restany, Pierre. Le Nouveau Réalisme. Paris: Union Générale d’Éditions, 1978.

Wilson, Sarah. La rencontre philsophique, autour de la figuration  narrative/Art and Theory: The Secret History Narrative Figuration. Pairs: Cercle d’Art / Yale University Press, 2009-10.

Postwar & Contemporary art in Germany

Adriani, Götz, ed. Obsessive Malerei: Ein Rueckblick auf die Neuen Wilden. Karlsruhe: Museum für neue Kunst/Hatje Cantz, 2003.

Barron Stephanie & Sabine Eckmann, ed.s Art of Two Germanys: Cold War Cultures, cat, exhibition ed.s Stephanie Barron & Eckhart Gillen. New York: Abrams, 2009.

Belting, Hans. The Germans and their Art: a Troublesome Relationship. New Haven; London: Yale University Press, 1993.

Bolle, Michael, and Eva Zuchner. Stationen der Moderne: Die Bedeutenden Kunstaustellungen des 20 Jahrhundert in Deutschland. Berlin: Berlinishe Galerie, 1989.

Faust, Wolfgang Max, and Gerd de Vries. Hunger nach Bildern: deutsche Malerei der Gegenwart. Cologne: Dumont, 1982.

Herbel, Yule F. Reconstructing the Subject: Modernist Painting in Western Germany. Princetown: Princetown University Press, 1995.

Hermand, Jost. “Modernism Restored: West German Painting in the 1950s.” New German Critique, Spring – Summer 1984, 23-41.

Herzogenrath, Wolf, and Gabriele Lueg, eds. Die 60er Jahre Kölns Weg zur Kunstmetropole: vom Happening zum Kunstmarkt. Cologne: Kolinsher Kunstverein, 1986.

Historishes Archiv der Stadt Köln. Intermedial – Kontrovers- Experimentell: Das Atelier Mary Bauermeister in Köln 1960-62. Cologne: Emons Verlag, 1993.

Kuhn, Annette. Zero: Eine Avantgarde der sechziger Jarhe. Frankfurt am Main: Propylaën Verlag, 1991.

Otten, Marie-Louise, ed. Auf dem Weg zur Avantgarde: Kunstler der Gruppe 53. Rattingen: Museum der Stadt Rattingen, 2003.

Pagé, Suzanne. Art Allemagne Aujourd’hui: Différents aspects de l’art actuel en République Fédérale d’Allemagne. Paris: ARC Musée d’art moderne de la ville de Paris, 1981.

Ruhrberg, Karl, ed. Alfred Schmela Galerist: Galerist-Wegbereiter der Avantgarde. Cologne: Wienand Verlag, 1996.

Thomas, Rudiger, ed. Klopfzeichen: Kunst und Kultur der 80er Jahre in Deutschland. Leipzig: Museum der Bildenden Künste Leipzig/Verlag Faber and Faber, 2002.

 

Postwar  & Contemporary Art in Italy

Adamson, Walter L. “The Culture of Italian Fascism and the Fascist Crisis of Modernity: The Case of il Selvaggio.” Journal of Contemporary History 30, no. 4 (1995): 555-75.

Bonami, F. Italics: Italian art between tradition and revolution, 1968-2008. Milan : Electa, 2008.

Bonasegale Pittei, G. Forma 1 e i suoi artisti, 1947-1997. Roma : Argos, 1998.

Bonito Oliva, A. Avanguardia, transavanguardia. Milano : Electa, 1982.

Bonito Oliva, A. The Italian Trans-avantgarde. Milan: Giancarlo Politi Editore, 1980.

Bonito Oliva, A. Minimalia: an Italian vision in 20th-century art. Milan : Electa, 1999.

Bowler, Anne. “Politics as Art: Italian Futurism and Fascism.” Theory and Society 20, no. 6 (1991): 763-94.

Braun, E. Italian art in the 20th century: painting and sculpture, 1900-1988. Munich : London, Prestel-Verlag ; Royal Academy of Arts, 1989.

Caramel, Luciano, ed. MAC: Movimento Arte Concreta 1948-1958. [Attraverso le avanguardie-33] ex. cat. Parma, Galleria d’Arte Niccoli 2 marzo – 4 maggio 1996. Firenze & Siena: maschietto + mugolino, 1996.

Carrieri, Raffaele. Avant-Garde Painting and Sculpture in Italy (1890-1955) Milan, 1955.

Celant, Germano, ed. L’identité Italienne : l’art en Italie depuis 1959. Paris: Centre Georges Pompidou, 1981.

Celant, G. Arte povera = Art povera. Milano : Electa, 1985.

Celant, G. Madly in love: the Luigi and Peppino Agrati Collection. Milano : New York, Skira ; Distributed in North America and Latin America by Rizzoli International, 2002.

Celant, G. The European iceberg: creativity in Germany and Italy today. New York : Rizzoli, 1985.

Celant, G. Roma-New York, 1948-1964: an art exploration. Milano: Charta, 1993.

Celant, G. The Italian metamorphosis, 1943-1968. New York: Guggenheim Museum Publications, 1994.

Christov-Bakargiev, Carolyn. Arte Povera. London: Phaidon, 1999.

Coradeschi, Sergio. “The Novecento Style in Italy: Commercial and Graphic Design.” Journal of Decorative and Propaganda Arts 3 (Winter 1987): 66-83.

Cullinan, Nicholas. “From Vietnam to Fiat-nam: The Politics of Arte Povera.” October 124 (2008): 8-30.

De Micheli, M. Scultura italiana del dopoguerra. Milano: Schwarz, 1958.

Dini, L. P.S.1: Italian studio program 2000-2002. Milano: Charta, 2001.

Duran, Adrian R. “Abstract Expressionism’s Italian Reception: Questions of Influence,”

in Joan Marter, ed. Abstract Expressionism: The International Context. Rutgers

University Press, 2007.

Flood, R., F. Morris, et al. Zero to infinity: arte povera, 1962-1972. Minneapolis : Walker Art Center., 2001

Gale, M., R. Miracco, et al. Beyond painting: Burri, Fontana, Manzoni. London: Tate Publishing, 2005.

Gianelli, Ida, ed. Transavanguardia. ex. cat. Castello di Rivoli. Skira, 2003.

Global Conceptualism: Points of Origin 1950s-1980s. Queens Museum of Art ex. cat. 1999.

Gordon, Robert S.C. “Impegno and the encounter with modernity: ‘high’ culture in post-

war Italy.” in Patrick McCarthy, ed. Italy since 1945. New York: Oxford University Press Inc., 2000, 197-213.

Guadagnini, W. Pop art Italia: 1958-1968. Milano : Cinisello Balsamo, Silvana, 2005.

Gundle, Stephen. Between Hollywood and Moscow: The Italian Communists and the Challenge of Mass Culture, 1943-1991. Durham and London: Duke University Press, 2000.

Marchiori, Giuseppe. Il Fronte Nuovo delle Arti. Vercelli: Giorgio Tacchini Editore, s.r.l, 1978.

Masterpieces from the Gianni Mattioli collection. Milan : Electa, 1997.

Meneguzzo, M. Zero, 1958-1968: tra Germania e Italia. Milano : Cinisello Balsamo, Silvana, 2004.

Minola, Anna, Maria Cristina Mundici, Francesco Poli, and Maria Teresa Roberto. Gian

Enzo Sperone -Torino – Roma – New York – 35 Anni di mostre tra Europa e

America. Torino: Hopefulmonster, 2000.

Pirovano, C. Fausto Melotti: teatrini: 1931-1985. Milano : Charta, 1996.

Rylands, Philip and Enzo di Martino. Flying the Flag for Art: The United States and The Venice Biennale 1895-1991. Richmond, Virginia: Wyldbore and Wolferstan,

Serfaty, Simon. “The United States and the PCI: The Year of Decision, 1947.” in Simon Serfaty and Lawrence Gray, eds. The Italian Communist Party: Yesterday, Today and Tomorrow. [Contributions in Political Science, Number 46] Westport, CT: Greenwood Press, 1980.

Soby, James Thrall and Alfred H. Barr, Jr. Twentieth-Century Italian Art. New York: The Museum of Modern Art, 1949.

Sauvage, T. Pittura italiana del dopoguerra, 1945-1957. Milano : Schwarz, 1957.

Vetrocq, Marcia E. “Painting and Beyond: Recovery and Regeneration, 1943-1952.” The

Italian Metamorphosis, 1943-1968, ex. cat. Germano Celant, ed. New York: The Solomon R. Guggenheim Foundation, 1994, 20-31.

Woolf, S.J. ed. The rebirth of Italy 1943-50. London: Longman Group Limited, 1972.


CONFERENCES & CALLS FOR PAPERS

“Continuities and Discontinuities? France Across the Generations”

ASMCF Annual Conference, University of Stirling

1st-3rd September 2011

http://www.h-net.org/announce/show.cgi?ID=180473

“Networking the Bloc: UK Connections”

Symposium on Artistic Relations Between the UK ad Eastern Europe since the 1960s

Royal Scottish Academy, Dec. 4th 2010

http://www.h-net.org/announce/show.cgi?ID=180894

“Art Across Frontiers: Cross-Cultural Encounters in America”

An international symposium funded by the Terra Foundation for American Art

University of Nottingham, University Park, 27-28 April 2011

http://www.nottingham.ac.uk/american/artacrossfrontiersconference/intro.aspx

“EGO?”
Exhibition organized by the Contemporary Art, Aarhus Art Building, Denmark

Call for proposal, deadline 5. January 2011

http://www.aarhuskunstbygning.dk/english/index.php?option=com_content&view=article&id=230&Itemid=120